Monday, 7 April 2025

Wale Okediran @ 70 Poetry Competition Longlist Unveiled

 WALE OKEDIRAN @ 70 POETRY COMPETITION LONGLIST UNVEILED



In celebration of the forthcoming 70th birthday of renowned Nigerian writer and literary administrator, Dr. Wale Okediran, the organizers of the Wale Okediran @ 70 Poetry Competition have officially released the longlist of selected entries. 


The announcement follows a rigorous assessment and consensus by a panel of seasoned judges tasked with selecting standout works from a pool of impressive submissions by young and emerging poets across the country.


The judging panel, chaired by Professor Mabel Evwierhoma of the Department of Dramatic Arts, University of Abuja, included distinguished literary voices such as Khalid Imam, a published poet and arts curator, and Akudo Nkemjika Okeke, a poet, scriptwriter, and screenwriter. 


The panel expressed admiration for the creativity and thematic depth displayed by the young poets, many of whom explored themes of healing, resilience, nationhood, and personal identity.


The Wale Okediran @ 70 Poetry Competition was instituted to honour the literary legacy of Dr. Wale Okediran, a former National President of the Association of Nigerian Authors (ANA) and the current Secretary General of the Pan African Writers Association (PAWA). 


Aimed specifically at young and emerging Nigerian writers under the age of 25, the competition has served as a platform to spotlight fresh talent while celebrating a literary icon.


According to the organizers, the selection of the longlist was based not only on the literary merit of the works but also on their originality and clarity of voice. 


The judges noted the difficulty of their task given the impressive quality of entries received.


The longlisted entries, in no particular order, are as follows:


1. Sojourner – Abdulrazaq Godwin Omeiza


2. Wale Okediran, A Man of Healing Ink – Abdulmumeen Humul


3. A Bloom, A Breath and a Song – Deborah Usak


4. Digging Deep for Happiness amid Fossils and Bones – Muheez Olawale


5. Sambisa Girl – Nwegbo Miracle


6. Fate Think Me A Victim – Grace Oni


7. Echoes Beyond Time – Fasuyi Favour Iyanuoluwa


8. Wale Okediran @ 70 – Adegoke Oluwabukunmi


9. Bird in My Mouth, Grief in My Palms – Felix Eshie


10. A Passionate Jeremiad for My Homeland – Olobo Ejile


The organizers have congratulated the longlisted poets and expressed heartfelt appreciation to all participants for their remarkable passion and creativity. 


They further announced that the shortlist for the competition will be officially unveiled on April 19, 2025.

Wednesday, 12 February 2025

Joop Berkhout: Death and a Writers' Loss by Wale Okediran

 JOOP BERKHOUT: DEATH AND A WRITERS' LOSS

       

                                                                                                      


On one sunny day in July 1987 at the Enugu Trade Fair grounds in Enugu, Nigeria when the late iconic African Writer, Cyprian Ekwensi held up my hand and publicly presented my first novel; RAINBOWS ARE FOR LOVERS (RAFL), I felt a glow of happiness and relief flow through me.


 After several years in ‘the publication wilderness’, I was finally a published author. I was still relishing that golden moment when my Publisher, the indefatigable Joop Berkhout of Spectrum Books Ltd, Ibadan nudged me to life and reminded me to make a speech and later taught me how to autograph a book.


That momentous day in Enugu marked the beginning of my over 40-years relationship with that great man, a quintessential man of books, a writers’ delight and a loyal friend. During those years, three of my books were published by Chief Berkhout’s then publishing stable, Spectrum Books. 


While RAFL went on to become one of Spectrum’s best- sellers, THE BOYS AT THE BORDER was shortlisted for the 1991 Commonwealth Literature Prize. Even though DREAMS DIE AT TWILIGHT (Malthouse Press, 2001) was not published by Spectrum Books, the book was adjudged as one of the best 25 books in Nigeria in the last 25 years during Spectrum Book’s 25th anniversary in 2003.


Although a hard- nosed businessman, Joop Berkhout invested in writers and remained until his death, perhaps, one of the most writer-friendly publishers in this part of the world. Apart from paying me a generous advance royalty for RAFL, Chief Berkhout also put me on the then Nigeria Airways, Lagos to Enugu flight WT 264, ‘ Ikogosun Warm Springs’ for the book launch. Unlike these days when many authors have to run after their publishers for their legitimate book royalties, regular twice yearly royalty payment was the norm during Chief Berkhout’s time at Spectrum Books. 


In 2007, when Joop Berkhout founded Safari Books Limited after his temporary retirement from Spectrum Books, he appointed me a Publishing Consultant to the new outfit. In his Letter of Appointment he sated thus; ’’I am glad that you have joined us as our publishing consultant. I can assure you that I will keep you busy for many years to come’’.


 Even though at that time he was already in his 80s, he kept to his words by pilling me with loads of jobs and responsibilities especially in the area of Biography writing. In the course of my duty, Chief Berkhout introduced me to some leading captains of industry, political leaders as well as former Nigerian Presidents some of whom I personally interviewed for their biographies.


A great socialite and humanist, I was part of his regular league of lunch and dinner guests in his Ibadan home, Cambridge House, a house made famous by the past occupant, the late Nigerian poet, Christopher Okigbo. During those encounters, ‘Chairman’ as I fondly called him, regularly regaled me with his thoughts on almost every conceivable topic under the sky even if we didn’t always agree with each other on such topics.


With his demise, Nigeria, has lost a wonderful and illustrious senior citizen, as well as a publisher per excellence who despite his Dutch heritage was a naturalized Nigerian who made the country his home for 59 out of his 94 years on earth. May his soul rest in perfect peace. Amen.

Thursday, 30 January 2025

FROM MANDELA'S SUNRISE, TO THE WHITE HOUSE ON THE FOOTNOTE OF EBEDI HILL

 FROM MANDELA'S SUNRISE, TO THE WHITE HOUSE ON THE FOOTNOTE OF EBEDI HILL


                   By


Aliyu Umar Muhammad 


Resident, Ebedi International Writers Residency, Iseyin, Nigeria. 



There's always a serenity belonging to a community that values what you do. As BM Dzukogi  will say, “you must belong to  that particular community that knows what you are doing.” 


A journey unfolds through the hasty, nauseous and unstable consciousness of leaving the state for Ebedi w

Writers Residency Iseyin, Oyo state. For the first time in my writing career, a welcoming joy envelopes my instincts from afar. I've never been to Oyo before, not even in a dream. A lot I've heard from friends who were fellows of the program. 


Whenever God wants you to be somewhere, He surely gives you an invisible card, driving you to paths you never knew before. It's good to be kind and of good morals.


 A man, old enough to be my father, whom we both respect each other saw me in a hasty state in company with my friend, Bilal. “Mallam Aliyu, Ina zuwa haka?” I responded with an apology first knowing I should have informed some people I always meet that I'll be traveling. 


The man always monitors my presence and absence in Mandela. Mosque was always my place of comfort once I'm out of home and not going out to the field. He immediately called a friend of his, connected us and that was how the unexpected late morning journey unraveled a lot of stories. Some were jovial, others were plain  discomfort. 


10 hours longing made me start meditating on many things to write about. Of human errs, lack of patience, my wild thoughts of cars always getting too close to hit one another.


 I'm not sure if i will one day, ride a car on long , rougher highways. And to the  cross border of Jebba, one day I'll write about you, “Does our state border need to look insecure and unsafe for drivers before crossing in and out?” I'm yet to know more about this self interrogatory part as a writer and passionate citizen of Niger, I'm sure this is a projectile essay, someday in the future, I'll write about you. 


I didn't arrive at Iseyin before starting to learn some of the ethics and cultural ideology of Yoruba people. Baba will always say, “Children nowadays don't like to greet people. They feel it's an excuse sometimes, to pass before an elderly person or group of people and not say anything. 


But here in Yoruba land, you must learn to greet everyone you see to avoid being suspicious. “E karo, E ka san, E ka le” were fleeing out of people's mouth all the time as if it were a communal gift. I immediately name it, "Yoruba's ecstasy". Joining the race was easier despite my fluctuating accent, I'm a sharp learner at things I find amazing.


Do not say I'm missing a part by not sharing about my fellow residents. Of course, it'll be another essay of its own. 


God blessed me with 3 different brothers, 3 different mothers but with the same identity as proud Africans. Daniel  Kwaku Attah from Accra, Ghana, Ebri Kowaki from Enugu and Fatai Hammed Opeyemi  from Oyo tho, had most of his time traveling to states after studying at the great ‘Iqra’ Usmanu Danfodiyo University Sokoto.


 We share bonds of identity as Africans, struggling with voices to be heard, as black people with undoubted creativity and uniqueness.


We decided to hike up to Ebedi Hill, of which the White House based at it's foot. The stories were much therein. We really suffered the climb and were full of high spirits when we finally got the one part of Iseyin community at our feet. Mr Solomon, the nice officer led the team and we had a wonderful time taking pictures of which I had many enticing shots for my smartphone photography.


Today is Friday and of course, after the subhi prayers, I was going back to the Residency when suddenly a voice rang in my head. “Try snapping the trees on this Hill.” I carefully obeyed and went closer. 


A man who held a bucket started talking in Yoruba. I know they're interrogation and quarrels as an elder watching a young adult doing something suspicious. I immediately go to him and luckily, “the E karo” magic suddenly worked. After explaining my purpose to him, he said no problems. I went back and to avoid other gazes, I quickly took my way to the house.


 Surprisingly, the man followed me, called me back and apologized that he doesn't know I'm a writer and from White House. I felt ashamed. The question is, how many elderly people can do what this man did?? Apologizing the second time to a boy young enough to be his son? This is Yoruba culture.


 I believe if Dr Wale Okediran  did not build up a legacy that the community always respected, I wouldn't have gotten this great admiration. White House in the Iseyin community is a golden frame, a strong name lying at the footnote of Ebedi Hill. 


Thank you all fam, Hill-Top Creative Arts Foundation - NGO  Abba, Sir @BM Dzukogi, Mr Makama Shekwo'aga  friends, family and loved ones, thank you for all your prayers.


To Dr Wale Okediran, may your good name never perish, Amin. To managers and officials of the Residency, we're truly grateful for being our kindest keepers. 


Thank you, good people🄰.


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Saturday, 18 January 2025

Judges Unveiled for Wale Okediran @ 70 National Poetry Competition

 

JUDGES UNVEILED FOR WALE OKEDIRAN @ 70 NATIONAL POETRY COMPETITION


 

The organizers of the Wale Okediran @ 70 National Poetry Competition have announced the esteemed panel of judges who will assess entries for the ongoing contest. Launched to celebrate the 70th birthday of renowned author and medical doctor, Dr. Wale Okediran, the competition is designed to spotlight emerging literary talent in Nigeria and honor the enduring legacy of one of Nigeria’s most prolific writers.

Targeted at young and emerging poets aged 25 years or younger, the poetry competition aims to provide a platform for creativity and literary expression. It seeks to encourage young writers to explore the art of poetry while contributing to the growing richness of Nigerian literature. This initiative also offers participants an opportunity to gain national recognition for their work, further strengthening the future of poetry in the country.

The jury, consisting of three distinguished figures in the literary and arts community, brings a wealth of experience and expertise to the competition. Leading the panel is Professor Mabel Evwierhoma, a Nigerian Professor of Theatre Arts at the University of Abuja. An expert in dramatic theory, criticism, gender studies, and cultural studies, Professor Evwierhoma has held notable positions, including Dean of the Faculty of Arts at the University of Abuja and Director of the Centre for Gender Security Studies and Youth Advancement.

Joining her is Khalid Imam, a bilingual writer and multiple award-winning poet, playwright, and art administrator. Imam, who serves as the Chairman of the Board of Trustees of the Poetry Renaissance Trust, has a prolific publishing record spanning various genres and languages, including English and Hausa. As the founder of the All Poets Network International and the pioneer Festival Director of the Nigeria Poetry Festival, Imam brings extensive experience in promoting poetry and literary culture, both locally and internationally.

The third judge is Akudo Nkemjika Okeke, a dynamic performance poet and fiction writer whose creative works resonate deeply with audiences. Known for her vibrant performances and compelling storytelling, Okeke represents the growing influence of young Nigerian poets and writers on the global literary stage.

Speaking about the competition, the Coordinator of the contest, Wole Adedoyin emphasized that the trio of judges was carefully selected to ensure fairness, integrity, and a comprehensive evaluation of all entries. They noted that the judges’ combined expertise in literary criticism, performance arts, and cultural studies would play a pivotal role in identifying and rewarding outstanding poetic talent.

The Wale Okediran @ 70 National Poetry Competition has already garnered significant interest among young writers across the country. Entries are expected to explore diverse themes, reflecting the creativity and ingenuity of Nigeria’s emerging poets.

As the deadline for submissions approaches, the organizers urge eligible poets to seize the opportunity to participate and make their voices heard. Winners will be announced at a special event commemorating Dr. Wale Okediran’s 70th birthday, further cementing his legacy as a champion of Nigerian literature.

For more information about the competition, including submission guidelines and deadlines, interested participants are encouraged to follow the organizers’ official blog @ https://waleokediranat70poetrycompetition.blogspot.com/2025/01/call-for-entries-wale-okediran-70.html.

 

Organizers Announce Wale Okediran @70 National Poetry Competition, Call for Entries

ORGANIZERS ANNOUNCE WALE OKEDIRAN @70 NATIONAL POETRY COMPETITION, CALL FOR ENTRIES


 

In honor of the forthcoming 70th birthday of Dr. Wale Okediran, one of Nigeria’s most celebrated literary icons, the Wale Okediran @70 National Poetry Competition has been officially launched. Dr. Okediran, a former National President of the Association of Nigerian Authors (ANA) and the current Secretary General of the Pan African Writers Association (PAWA), has made indelible contributions to the growth of literature in Nigeria and Africa. This initiative seeks to celebrate his legacy while nurturing young literary talent in Nigeria.

The poetry competition is targeted at young and emerging poets aged 25 years or younger, providing them with a platform to showcase their creativity and contribute to the rich tapestry of Nigerian literature. It offers an opportunity for budding writers to express themselves through poetry and gain recognition on a national level.

Poets are invited to submit original works written in English. The poems must adhere to either free verse or stanza format, with a maximum of 20 lines. Submissions must be in Microsoft Word format, typed in Times New Roman, font size 12, and double-line spaced. Participants should include their name, phone number or WhatsApp contact, and email address in their submissions.

Entries should be sent via email to waleokediranpoetrycompetition@gmail.com with the subject line “WO@70.” The competition is open until February 28, 2025. For further inquiries, participants may contact the coordinator, Wole Adedoyin, via email at woleadedoyin@gmail.com.

Winners of the competition will receive monetary prizes, with ₦50,000 for first place, ₦30,000 for second place, and ₦20,000 for third place. In addition, ten honorable mentions will be recognized for their exceptional contributions. All prize winners will receive certificates of achievement, while every participant will be issued a certificate of participation.

To immortalize the competition, the top 20 outstanding entries will be compiled and published as an e-book. This initiative aims to preserve the creative works of these young poets and document the impact of the competition on the literary landscape of Nigeria.

The competition will be judged by a prestigious panel of literary experts, including: Prof. Mabel Evwierhoma – Department of Theatre Arts, University of Abuja (Chairperson), Khalid Imam – Renowned poet and arts curator, Akudo Nkemjika Okeke – Accomplished poet, scriptwriter, and screenwriter.

Speaking on the competition, Wole Adedoyin, the coordinator, emphasized that this event not only celebrates Dr. Wale Okediran’s milestone birthday but also aims to inspire young poets to explore their creative potential and contribute to Nigeria’s literary heritage.

The Wale Okediran @70 National Poetry Competition stressed the importance of literature in national development and the need to encourage young writers to excel. It provides a rare opportunity for emerging talents to gain exposure, network with literary professionals, and leave their mark in the literary community.

 

Tuesday, 3 December 2024

Algeria and the Thrills of CANEX 2024 By Wale Okediran

 ALGERIA AND THE THRILLS OF CANEX 2024


                   By


        Wale Okediran 

                                       


            

                                    

My phone rang at the Ghanaian end of the Aflao border just before we crossed into Togo. I quickly picked the call before the network disappeared. It was Eghosa Imasuen, the MD of Narratives Landscape, a Lagos based Publishing outfit. He wanted to know if I could Chair the Jury of the newly established CANEX Prize for Publishing in Africa, an initiative of the Cairo based Afreximbank to be partnered by Narratives Landscape. 


Even though I had a very busy schedule ahead of me, I said ‘yes’. It’s hard to say ‘No’ to Eghosa. Debonair, hardworking and ever so creative, it’s always a delight to work with the energetic polymath.


I was on my way to Lagos by road from my Accra base to prepare for the forthcoming Conference of the nascent World Organization of Writers scheduled for Abuja, Nigeria.  With the soaring cost of running a continental writers’ organization against a backdrop of rapidly diminishing funding, road trips were some of my survival tactics. In addition, a road trip will also be another opportunity to add another travelogue to my delightful collection of Travel Stories.  


Minutes later as we entered Togo, my mind went back to my earlier commitment to Eghosa. I was a bit worried about the enormity of my new assignment in view of my busy schedule. Not even the stunning postcard scenery of a coconut tree- lined Lome coastline with the blue translucent Atlantic Ocean glistening in the background could dowse my worries.


However, after a couple of emails, online meetings as well as the mastery of an efficient and transparent digital scoring platform, all my doubts evaporated as I quickly settled into my new role.


 Matters were helped by the organizers of the competition who organized a virtual meeting which involved the 3 Judges as well as stakeholders in the African publishing industry. The meeting afforded publishers, authors and literary advocates the opportunity to seek more clarity about the prize from the organizers. 


The Judging process was also helped by the camaraderie with my co judges; Edwige Dro the writer and literary translator from Ivory Coast as well as the Egyptian Poet, novelist and journalist, Ashraf Aboud-Yazid. The fact that I had previously worked with the duo was another big plus to our new working relationship. This was in addition to the fact that we were part of a new and bold initiative to support Publishing in Africa. 


In one of the numerous emails from the organizers, the CANEX Prize for Publishing in Africa was described as ‘’not only a celebration of publishing excellence but also a beacon of inspiration for the African publishing industry.’’  As Judges, we were expected to; ‘’assess a publisher’s work on a book, focusing on the physical quality of the publication and the editorial courage displayed in publishing significant subjects’’.


 While submissions for the prize would be open for one month, the judging process would be for a three-month period during which, the longlist of thirteen titles, the shortlist of five books, and the eventual winning book will be decided. The culmination of the whole process will be at the CANEX WKND in October 2024 in Algiers, Algeria where the award will be presented to the deserving winner. 


An opportunity to further promote the competition came up with my invitation to attend the African Publishers Network (APNET) Conference in Harare, Zimbabwe in June 2024. In addition to my copious reference to the competition in my Goodwill Message, I was also able to facilitate a meeting between a representative of the Afreximbank and APNET officials at the two-day event.


As Judges, we held our meetings via Zoom. Even though our deliberations were serious and contemplative, we never had any reason to allow the intense debates about the books we were judging to become heated. 


Right from our first meeting, we found a way to laugh with each other. Edwige was the ‘life of the party’ with her witty remarks laced with an openness and candor that quickly defused any imminent tension. She was quick to let us know that she doesn’t work on Mondays, while her morning coffee must come before any meeting. Ashraf was similarly disarming with his hilarious Arabian quotes that are usually laced with his trademark bewitching smile.


 Our main challenge was finding suitable times for our virtual meetings. Apart from the different time zones in our various locations, we still had to contend with the peripatetic nature of our jobs. On one occasion, Ashraf was holed up in South Korea for a workshop while Edwige was shuttling between her Abidjan base and East Africa with me crossing from one African border to the other. ‘I don’t know why you still need a house if you travel that much’ Edwinge once observed humorously when we all shared our different itineraries.


As the days and weeks went by, parcels after parcels of books were delivered to my Accra office by DHL. It was a wide range of submissions made up of short story collections, non-fiction works, full length novels, and children’s stories among others. I was soon in the midst of a beautiful array of glossy books that left me salivating like a toddler in an ice cream shop.


 For the next few weeks, I read every day. I read before bed, I read through meals, I read while traveling whether by road, air or water. As expected, it was a lot of work but I enjoyed every minute of the intensive exercise. In addition, it was a rewarding experience which added to my skills as a writer and book reviewer.


To commence the judging process, a digital summary of our individual scores were sent to us by the secretary appointed by the Prize organizers. 

It was now our duty as Judges to decide on a 13 book longlist. We thereafter organized some virtual meetings to discuss the merits of the books with the highest scores for the longlist. As we discussed and argued and critiqued the different works, it was obvious that while we readily agreed on some books, there were some occasional needs for compromises.


 At the end, we had a longlist which we were satisfied with while we fixed another meeting for the shortlist and the eventual winner.


As part of preparations for the final ceremony for the award ceremony slated for Algiers, Algeria, the CANEX video team led by Ms Chanelle Ellaya, the CANEX Senior Program Manager visited my office at PAWA House, Accra, Ghana to interview me as the Head of the Jury.


 It was a delightful visit as the technical crew burrowed itself into all the nooks and crannies of the headquarters of the continental writers’ body. In between interviews, the team beamed their searchlights on some African leaders and literary figures such as Kwame Nkrumah, Leopold Senghor, Chinua Achebe, Wole Soyinka among others, whose pictures beautifully adorned the building.


A few weeks later, at another interesting meeting which was not as difficult as our earlier meetings, we were able to agree on the shortlist of five publishers. We also used the meeting to agree on the eventual prize winner even though we were not to disclose the identity until the award ceremony. 


With that, our job as Judges was done and we were all happy with our efforts. ‘’ Am happy it’s finally over’’ Edwige gushed. ‘’I thought we were going to fight. Thank you, Dr Wale for being such a consensus-seeking and a humble Chief Judge’’. she added bursting into her usually boisterous laughter. ‘’Good Judges don’t fight. They always come to a good agreement at the end of the day’’ Ashraf observed.


If my fellow Judges were happy with the result of their work, the same could not be said about their moods when they realized that I was the only one who will represent the Jury at the award giving ceremony in Algiers. ‘’Even though I already had enough travels this month, I was still looking forward to another tasty Algerian food’’ Edwige said. After another of his philosophical quotes, Ashraf asked me to go well and come back with an account of the proceedings at Algiers.


In line with the requirements for my Algerian trip, I visited the Algerian Embassy in Accra for my Visa. I also used the opportunity to pay a courtesy visit to the new Algerian Ambassador, His Excellency Ambassador Mourad Louhaidia who replaced the former Ambassdaor Ali Redjel a very good friend of mine who had facilitated my previous trip to Algeria to attend a Book Festival. Fresh from his previous posting in the UK, Amabassador Louhaidia gave me an update about his country, which with a land mass of 2,381,741 square kilometres is the largest nation in Africa by size.


 In addition, Sonatrach, Algeria’s national oil company, is the largest company in Africa, supplying large amounts of natural gas to Europe while Algeria's military is one of the largest in Africa, with the largest defense budget on the continent.


On ground to welcome me to Algiers was my friend, Laeed Zaghlami, a Professor of Information and Communication at the University of Algiers in Algeria. It was Laeed who had taken my wife and I on a sightseeing of the quaint and picturesque Algerian capital during my last visit. 


Prof Zaghlami, a writer of the leftist bent was not happy with the proceedings at the CANEX event which had commenced the day before. ‘’Nobody is mentioning anything about Literature and Culture. All they are speaking about is how to make money’’ he said. ‘’Of course, it’s important to learn how to use our skills as writers to make money’’ was my light hearted response. I also assured him that Literature and Culture will be well captured before the end of the 4-day event.


After a wonderful weekend of celebration of the works of African creatives, the award ceremony for the inaugural CANEX Prize for Publishing in Africa, a $20,000 award, finally took place at the Sheraton Algiers. 


The event took place during an exclusive dinner featuring an African Union-themed menu curated by chefs from Algeria, Trinidad, and Nigeria. The dinner was hosted by the Honourable Minister of Culture and Arts of Algeria, Mrs Soraya Mouloudji.


In addition to the prize money was also the prize trophy which according to Dr Eghosa Imasuen; ‘’is a bronze sculpture crafted by the famed bronze casters of Benin City, Nigeria and engraved with the Adinkra symbol nkyinkyim, symbolising resilience and adaptability’’. 


Also at the event were Mr Omar Ben Yedder of IC Publications and Ms Lavaille Lavette of One Street Books, who each gave short speeches on the importance of telling African stories. They also underscored how vital it is to invest in the continent’s rich literary heritage.


 As the Chair of the Judges, I read out the citations for each shortlisted book, before the representatives from the winning publishing house as well as those on the shortlist collected their medals. 


The medals were presented to the finalists by dignitaries that included Mrs Soraya Mouloudji (Algerian Minister of Culture and Arts), Mrs Kanayo Awani (Executive Vice President, Intra-African Trade Bank at Afreximbank), and H.E. Ambassador Minata Samate Cessouma (Commissioner for Health, Humanitarian Affairs and Social Development at the African Union Commission).


Also in attendance were the Nigerian Minister of Culture, Tourism and Creative Economy, Ms Hannatu Musa Musawa as well as that of Sports, Senator John Owan Enoh.


 It was a special delight to see John Enoh who was my former colleague at the Nigerian House of Representatives again. Incidentally, the event in Algiers was perhaps, Enoh’s last official assignment as the Nigeria’s Minister of Sports. The following week after, he was reposted to the Federal Ministry of Industry, Trade and Investment as a Minister of State.


After a brief sightseeing of Algiers, the capital and chief seaport of Algeria with the enchanting view of the beautiful Mediterranean Sea, it was time to go back to base. 


Inside my travelling bag, sandwiched between my clothes and books were two packets of Algerian dates. One for Edwige, one for Ashraf. I hope they will like them.